If there’s one thing I’ve learnt from university, it’s the art of putting my life away neatly, but no matter how many times I do this modernistic wrestle with cardboard boxes and parcel tape (accompanied by the mental soundtrack of ‘Oh my goodness why do I have so much stuff?’), I reach a point in the evening where I get unenviably maudlin and slightly unhappy. It’s completely irrational, of course, and the knowledge of that saves me from a complete descent into angst, thank goodness. I realised rather recently that for all my ferocious and sardonic opinions about politics and literature and people and life in general, I still reserve the sharpest and most self-deprecating cynicism for myself, accompanied by a minor dose of self-deprecating humour to keep the cut from stinging too much (just enough to metaphorically kick my own arse out of whatever mood I’m working up to). It’s a good way to live, I think.
For instance, I’ve been shoving stuff into boxes all evening and trying to put stuff into the space at the top of my closet, wearing a mopey face and singing along with Gackt (slightly off-key, I can’t help it, do I look like a baritone to you?) and thinking of Norwegian Wood (which I will talk about in half a moment). This litany of cheerfulness and joy was interrupted by my intermittently working on a prose-poem entitled such tenderness, Sebastian. (Fwinn, if you’re reading this, it’s your fault for sending me a postcard with Rimbaud’s face on it: you totally reminded me of how much I adore his prose-poems and in doing so completely set me off.) The central theme of this poem is ‘Sadists have it all wrong, I realised – the strongest power, my friend, is suffering.’ So you can tell, it was a happy poem.
(Incidentally, though – it’s good work, even if I do say so myself. I’ve been writing a cycle of poems about Sebastian since forever – and I’d got quite stuck. The re-read of Rimbaud was just what the doctor ordered, though it must be noted that I still only have a meagre three pieces which even deserve to be called poems, and that pales in comparison to the number of ideas I have and the myriad facets of the Sebastian mythos, alas…)
And then as I was sorting out my papers, I found my owl necklace! Sandwiched between a set of notes on Sartre and a set of notes on legislatures – the brown one which I had given up as lost, and then my face went from : ( to : D! in half a second, and I put it on, just for the whimsical pleasure of knowing it was hanging around my neck again. At that point, it struck me as rather amusing, the speed with which one’s mood can change drastically – and how tiny the change which brings it about!
The moral of the story is: don’t take yourself too seriously. Also, I think I’d quite like to be an otter, and kalamata olives are yummy.
But non sequiturs aside – it’s been a good, if busy term. When is it not? Economics has been an uphill climb, as always, but comparative government has been fantastic – so much so that I’m very tempted to write a politics thesis in lieu of a module. It’ll be something on Southeast Asia, and hopefully I’ll get the topic sorted in Trinity term and then I’ll get to go home to Singapore over the summer and snuffle out primary sources. Comparative government’s been great partially because the debate is live for me in a way that philosophy isn’t – don’t get me wrong: I adore philosophy and would die a painful and wilting death without it in my life: but while I have the intelligence to follow and argue for the philosophical debates, I doubt I have the insight to make significant advances in what sometimes feels like an intrinsicially theoretical subject – however, as Emily and I were discussing today – it’s not philosophy’s fault that it’s lost relevance to modern lives – it’s the fault of modern lives that we’ve lost touch with philosophy. Though, Emily, if you’re reading this: surely even in older times, such as the Victorian era that you were talking about earlier – philosophy was still very much the preserve of an elite set of intellectual and upper-class people? To refine the earlier statement, it’s perhaps a side effect of the cultural implications of democracy: that suddenly something is worth more or more applicable or just better if it’s applicable to, understandable by, and a concern of everyone rather than a subset of the population (which automatically renders most of the humanities kaput, as pointed out earlier in the day…)
But politics! The pertinent, immediate questions of how we organise our lives – the historical reach and impact of the theories and ideologies that dominate us and ride the collective minds of man, those immortal questions of rulership, by the one or the many, the limits of our emotional empathy and our collective identity, those thorny issues of empowerment and oppression. Mmmmmmmmmm. You’ll never convince me that political theory and the study of politics should be entirely empirical, despite the case of science envy that the humanities seems to have contracted, and despite the fact that the wonderful Matt Williams (Wadham DPhil, my tutor this term) made the theory and methods of comparative government far more fascinating than I’d originally expected it to be. (The metastudy of the study of politics, mmm.) But politics without a normative component is politics without the crucial deliciousness.
Anyway, I thought I’d discuss Norwegian Wood, but perhaps that’s a post for a day in the future, when people have watched the movies and are less chary of spoilers, and when I’ve re-read the novel itself and can do proper justice to the issues. (One word: sex. Sex sex sex sex sex, everyone’s favourite topic, no?) I just have to say: Matsuyama Ken’ichi has my heart forever and ever and ever and ever! He was wonderful as an actor, just as brilliant as the last couple of films I watched him in (I loved him in the Death Note adaptations, of course, but also in Ultra Miracle Love Story) and quite probably even better. He’s not conventionally handsome at all, but there’s a scene in the snow where just looking at him makes me want to squee and hug a pillow (or him) and roll around, smiling all the while. His expression, his smile – impossibly adorable.
That being said, the movie portrayal of Norwegian Wood made me feel terribly inadequate as an Asian girl. I feel I should be porcelain-cute, have massive emotional and psychological hangups about sex, and speak an octave higher and say ‘ne?’ at the end of every sentence. Also, I’m glad to realise that I haven’t lost all my command of the Japanese language… Also, when the movie ended and I realised I was still in England instead of in an Asian country (specifically, Singapore, or even Japan), I had a thoroughly disorienting moment. *laughs*
And speaking of other countries – this time next week I will be in Berlin! There are no words for how much I’m looking forward to that! Expect lots of rambling about it!